THE NIGHTLY MIRROR
For the first time, he wished he were far away. Lost in a deep, vast country where nobody knew him. Somewhere without language or streets. And he dreamed about this place with out knowing its name. And when he woke up, he was on fire.
Paris, Texas. (via natehearsthings)
Despite rumors to the contrary, that is not me in this photograph.
Even though I wasn’t sure myself at first.

Despite rumors to the contrary, that is not me in this photograph.

Even though I wasn’t sure myself at first.

COMING OUT SCENES: Martha; The Children’s Hour

human-activities:

nan goldin, anthony by the sea

human-activities:

nan goldin, anthony by the sea

I see it all perfectly; there are two possible situations — one can either do this or that. My honest opinion and my friendly advice is this: do it or do not do it — you will regret both.
darksilenceinsuburbia:

Michelangelo. The Torment of Saint Anthony, c. 1487-1488. Oil and tempera on panel, 47 cm × 35 cm (181⁄2 in × 131⁄4 in).
Kimbell Art Museum

darksilenceinsuburbia:

Michelangelo. The Torment of Saint Anthony, c. 1487-1488. Oil and tempera on panel, 47 cm × 35 cm (1812 in × 1314 in).

Kimbell Art Museum

Doug DuBois.

Doug DuBois.