The misfits of veristic surrealism: De Chirico, Balthus, Magritte, Delvaux, Wadsworth (even Freud and Hopper); employ an innate grammar of paranoid recognition. First, there is psychologically potent content with little regard to the pretenses of automatic techniques. We are dealing with images of things; things that are irrational but understood. And secondly, maybe most importantly, we see a focus on the intimate experiences of paying attention. Metaphysical painting is about the excitement that comes with simple perception, and its habitual faults.